Fighting the good fight

Model: Andree de Villers. Photographer: Steve Richard. Circa: 2007.

We love the holiday season! It's a great time to spend with your friends and family, enjoy the beautiful scenery, and plan for the new year! 

It is also the season of giving and that is why the Novice Nudes team participates in The Great Canadian Chill! On New Years Day we will be jumping into freezing cold Lake Ontario along with our team (The Brr-ttalion!) and thousands of other Canadians! 

We are freezing out butts off, all in support of stopping kid's cancer cold!!!

If you are in a giving spirit today and would like to donate to help fight kid's cancer, or donate to see us plunge into Lake Ontario in the freezing cold - here's how you can help!!! Click the link below and help a child in need.

Every bit helps, please give what you can!

Team Page - Brr-ttalion:

Andree de Villers: 

Sarah DeVenne:

Thank you so much to all those who have donated!

xoxo

Andree & Sarah

P.S. Keep an eye on this blog for updates on our cold journey!

 This is our team (Ho, Ho, HOOOLY It's Cold) for the 2011 Great Canadian Chill!

Photographer: James Hamilton.

Merry Christmas from Novice Nudes!!

To those of you who celebrate...

We want to wish you a very Merry Christmas from Novice Nudes!!!!

xoxo

Andree & Sarah

Model: Andree de Villers. Photo: Wayne Forrest. Circa: 2007

Posing Techniques 101

We have had a lot of requests for some basic and advanced posing techniques so we will devote a series of posts to that topic.  Let's start off with the basics, some of these we have already mentioned in past posts, but we will put them all in one place for easy reference!

These are general guidelines and tips to follow, not rules set in stone.  Remember that every shoot is different and depending on the photographer's or art director's vision, you could be instructed to do the opposite of everything listed below.  However, everyone's got to start somewhere and we hope the following will be a good guide to get you going!

Posing your face:

Model/MUA/Hair: Andree de Villers. Photo: Sarah DeVenne. Circa: 2008.

• Start constantly staring at yourself in the mirror.  Tilt your head one way, then the other - which looks better?  Bring your chin into your neck a little bit, then raise it - which looks better? That is how you find your best angle.  Look through old pictures if you want confirmation - we bet you with every one of your favorites, the photo has captured you at your best angle!
• Once you have your best angle figured out, work out how to capture your best angle using different lighting.  Grab a lamp, take the lampshade off, and move it around your face while looking in the mirror. Move it from side to side, above and below your face.  See how the shadows look depending on the light change and try to figure out how your face looks best with each lighting set up.
• Remember your best angles and apply the learnings from your practice with the lighting the photographer is using.  If you cannot tell which direction the light is hitting you, ask the photographer to tell you.  This is information they will be happy to provide.
• Get your body into a good position that you are happy with and work within that pose a little bit.  Tilt your face into a position and try to give three different facial expressions.  Example, serious, big smile, half smile - then tilt your head in a different position and repeat.  This gives you much larger chance of getting a great image from more of your poses.
• Make sure you are also shifting around your eye line.  Look into the camera, into the light, above the camera/light, off to the distance, down to the ground, close your eyes, look up into the camera while facing down, etc.  Make sure that you constantly switch it up!
• You'll often hear that modeling is acting, it is true when it comes to the face.  As a model, it is vital to learn how to express any emotion simply through your eyes, once you do your face will follow.  To do this, again, it's all about practice.  Sit in front of the mirror and think about something that makes you sad.  Preferably, try to remember something in the past that made you really sad and try to put yourself back there.  If you can feel that same emotion, it will be written all over your eyes and face.  Same goes for happy, don't just think happy thoughts, remember a time that you were at your happiest and try to feel the feeling you felt.  It's like when you first meet a potential new boy/girl friend and every time you think about them you just can't help but get a flutter in your stomach and your eyes light up.  As a model, you have to be able to make those eyes light up on demand! If you can channel your emotions, you'll create beautiful, interesting and moving images.

Posing your body:

 Models: Andree de Villers & Karen Murdock. Photo: Steve Richard. Circa: 2010.

• It's very important to do the same test as the face with your body.  Looking in a mirror, move your body into different positions, flexing, relaxing, twisting, stretching, etc and see how your body reacts.  Look at your body from every angle and get comfortable with the reactions your body has to the different movements you make. If you can, do the same with a lamp held at different angles, see in what positions, with what lighting - you can make your body look the most toned.
• Practice pointing your toes for long periods of time and overcoming toe cramps without moving at all.  It will come in handy if you do :D We would say 80% of the time you will end up having to point your toes, especially in the nude.
• Always ensure you have your body going in at least 3 directions.  Example: Stand face on to the camera with your feet shoulder width apart. Stick your hips out sharply to one direction, and raise one shoulder in the opposition direction.  This will give your body interesting lines and create amazing shapes for the photographer to work with.
• Never have both feet flat on the floor in a shot. It is unflattering to your body!  Point your toes always!!! 
• When sitting down it is important to remember to never actually sit, more so hover.  Alternatively if you are sitting with your legs crossed, you can just roll onto the opposite hip so that your bottom and leg are not squished on the chair.
• When you suck in, don't just suck in but suck in and raise yourself up. Straighten your back, hold your head and neck up, throw your shoulders back to elongate your body.
• Never lock your knees or elbows.  It looks very abnormal and disfigured in photographs! Always keep them at a slight bend.
• Be careful when you are twisting any part of your body, looking backward as an example.  It will create rolls on your skin that are very unflattering and hard to Photoshop.  Instead, ensure that you are elongating the part of the body you are twisting, until you can run your hand along the twisted area and it feels smooth!  This may also mean you need to twist a little less!
• When you are going for extension, try to be as graceful as possible while holding every single muscle in to make your body as defined as possible.  
• If you are going for more sex appeal, it's all about chest out, bum out, stomach in, back arched, toes pointed - at all times.
  
• Think small adjustments.  Many models get caught up on doing a completely different pose every shot and others stay in the same position until they are told to move. A great way to ensure that you are getting more bang for your buck is to find a great pose, change up your face a couple times, move an arm or a leg slightly, then again give different looks with your face.  We find that often, when going through the images after the shoot, there will be so many that are close to perfect, had one small thing changed, but then right away a completely different pose is used and the moment is gone.

 

Posing your arms and hands:

 Model/Hair: Andree de Villers. MUA: Amy Kerr. Photo: Brent McCombs. Circa: 2009.

• Arms can be the worst things ever when you are first getting into modeling.  You don't know what to do with them, you can only really think of one thing and they are constantly in the way!  Know this is going to happen to you ahead of time, and think of as many positions as possible.  
• If you are going to do hands on the hips, make sure that your hands are staggered (ie. one hand higher then the other).  The reason is that this creates sharper lines on your body.  
• Try using your hands all around your face, don't just place your hand on your arm, run it down your arm for a second then freeze - this will be a more natural placement.
• A general rule of thumb is things should be perfectly symmetrical or not at all.  It's best to have each hand doing something different to get an interesting image. 
• If you are grabbing onto clothing or a prop, do not actually grip it tightly.  If you do, your fingers and hands will look veiny. Lightly hold the material and you will be pleased with the results.
• Do your best to ensure that all of your limbs are showing.  Ultimately, this is mainly the photographer's forte, but there are things that you can do as a model to try to avoid it. Again, best way to do so is practice using the mirror.  Pose in different ways so that you are able to pose with your arms, legs and hands very close to you if you know the photographer is shooting at a tight range.

We could go on for days but as there is just so much to cover, we will do this one in several posts!  We will go into more detail on posing with props, artistic vs glamour posing, posing wearing clothing and posing with a partner.  If there is more that you would like us to expand upon - let us know!

xoxo

Andree & Sarah

GWC vs. Budding Photographer

GWC vs. Budding Photographer - Presenting Professionalism to Models!

This one is more so aimed at the photographers out there, specifically photographers who want to get started with shooting nude models. Because of the gush of new photographers lately, it is easy to get pigeon holed into a 'GWC' role, just because you are starting out. If you are looking to avoid that label and you are just not sure how to do that, we hope the following will help!

Our recommendation would be first and foremost, the same recommendation we gave to models starting out.  If you want to prove that you are worth working with, you need to have the work to prove it.  Find a model that inspires you, whose work is something you would love to see in your portfolio.  Find out their rates and pay them to do a shoot with you.  If you plan it right, you can get some really diverse work out of just one shoot.  Realistically, when a photographer is asking a model to do a TFCD shoot, the first thing the model will do is look at the photographer's work.  All you need is that one amazing photo in your portfolio to convince a model that it's worth it! Once you have those amazing images, then it's time to work an industry networking site, such as Model Mayhem, to secure TFCD shoots and further build your portfolio.

Another recommendation, especially when working with a nude model, would be to propose a clothed shoot first.  This gives you the chance to build a working relationship with the model and to get comfortable with each other. A clothed shoot is a lot less intimidating when working with a new photographer and a model may be more open to shooting nude once the model knows you.

We recommend that you plan the shoot out ahead of time with the model.  Instead of just saying "Bring a ton of sexy bathing suits, lingerie and short skirts", discuss what you and the model both have available. Come up with a concept and discuss what wardrobe will add to it! This will help your model to both feel more invested in the shoot as well as having a feeling of comfort in knowing that you care about the end result.

Some models that are just starting out are extremely self conscious and nervous about the legitimacy of the photographer.  To ease the self consciousness, many photographers will tell the model how hot and sexy the model's body parts are. To some people, this is a pervy move and it will turn them off.  We definitely recommend complimenting the model, however until you have built a relationship with them, it may be best to not make comments about their body specifically.  

It's always great if you can team up with a hair stylist, makeup artist or assistant so that you can have a team behind you.  Knowing that there is a team of people at the shoot immediately quashes any fears of being put in a precarious situation, when you are one on one with the photographer.

Many photographers will offer new models liquor to 'loosen them up'.  Keeping in mind that everyone is different, some people would take offense to that.  It can come across as having ulterior motives, beyond shooting, in getting the model drunk and taking advantage of the situation.  We recommend again, that you build relationships before making that suggestion!

Another fantastic idea, when first starting out and looking to build your portfolio, is partaking in workshops!  Most workshops include a shooting portion, where you have the opportunity to not only work with an amazing model, but have an amazing photographer sharing tips and advice along the way!

Finally, we could not write this particular blog without mentioning modeling coaching.  If you can find a fantastic model coach in your area and offer their services during the shoot, it is money well spent.  Sometimes the photographer pays for the model coach, sometimes it is the model who pays.  Everyone involved, however, greatly benefits from having one there!  We can definitely delve further into the benefits of working with a model coach in another blog if there is interest, let us know by leaving a comment below!

We hope that this is helpful information and please bear in mind that these are our personal opinions, based off the different personalities we've experienced along the years.  Some of the best photographers out there have completely unscrupulous methods and some of the best photographers to actually work with, produce terrible work.  Ultimately you are going to find your own methods but we think, starting off, it's best to play it safe when dealing with young, impressionable models! We welcome you to leave your feedback, comments and questions below!!

xoxo

Andree & Sarah

 

Model: Andree de Villers. Photo: SVphotography. Circa: 2010.

Shot on location during a photography workshop with 10 photographers present.

It's your first shoot! Pretend it's your 100th!

The big moment has arrived!!  You have your model bag ready, you've stretched, you've practiced, you've researched - you're ready! But what to do once the camera is turned on? We are going to delve into some basic photo shooting tips, for both nude and non nude shoots, to help better prepare you to be able to show up and kick butt!

First rule in being professional and taken seriously - show up, every time. This business is full of flaky models and the moment you are pegged as one, you might as well give up! Professional photographers want to work with professional models, so treat this as you would any other job and you will succeed.

Nude
 

Model: Andree de Villers. Photographer: Steve Richard. Circa: 2009.

When you are shooting nude, most of the time the image is centered around the model.  The biggest differences come with the type of shoot you are doing and the image you are trying to create.

A few things as a model you need to think about when shooting nude:

• Ensure that you wear loose fitting clothing with no bra and underwear to your shoot.  Otherwise you will be covered in lines that take forever to go away and are a real pain to Photoshop.
• When you are doing glamour shooting it's all about chest out, bum out, stomach in, back arched, toes pointed - at all times.
• When shooting artistic nudes it's all about extension.  Try to be as graceful as possible while holding every single muscle in to make your body as defined as possible.  Artistic nude can go either way, sometimes you are graceful and sometimes you go out of your way to look too skinny, deformed or misshapen.
• When sitting down it is important to remember to never actually sit, more so hover.  Alternatively if you are sitting with your legs crossed, you can just roll onto the opposite hip so that your bottom and leg are not squished on the chair.
• When you suck in, don't just suck in but suck in and raise yourself up. Straighten your back, hold your head and neck up, throw your shoulders back to elongate your body.
• Never lock your knees or elbows.  It looks very abnormal and disfigured in photographs! Always keep them at a slight bend.
• A general rule of thumb is things should be perfectly symmetrical or not at all.  It's best to have each hand doing something different to get an interesting image. 
• Be careful when you are twisting any part of your body, looking backward as an example.  It will create rolls on your skin that are very unflattering and hard to Photoshop.  Instead, ensure that you are elongating the part of the body you are twisting, until you can run your hand along the twisted area and it feels smooth!  This may also mean you need to twist a little less!

A few things as a photographer you need to think about when shooting nude:

• Provide a clean towel or a robe for your model to wear in between sets. We recommend white as you can bleach them afterward for sanitary purposes.
• Ensure you are armed with posing suggestions for your model, they may not realize the poses they are attempting are not flattering.
• Work with the environment around the model to create foreground and depth to your image.
• If you are shooting digital, ensure that you pause to show your model some of the images.  It both boosts your model's confidence and allows you an opportunity to point out ways to improve the image.
• If you see that your model is running out of ideas for poses, always have a bag of materials that you can give to your model as an accessory.
• Mix up your angles, play with the lights, attempt to highlight the model's natural curves using shadows for definition. Don't be afraid to experiment - rules are meant to be broken!
• Always be aware of how the model is feeling, as an example if you are outside and your model is cold or if they've been holding a pose too long and are in pain. Many models are troopers, they will do what they need to do to get the shot, so you need to be monitoring the situation and make a call to give your model a break when you know that it's needed.
• Practice ways of articulating direction, as you should not touch a model. Never touch a model. Certainly not without the model's permission. We recommend building a relationship before breaking personal barriers as everyone's barriers are different!

Model: Andree de Villers. Photographer: Steve Richard. Circa: 2008.
This image is from a series called 'Cloudbusting', turned into a stunning coffee table book.

 Clothing

Model: Andree de Villers. Photographer: Sarah DeVenne. Circa: 2008.

When you are shooting with clothes, you are doing one of two things.  Either the clothes are just a piece in the puzzle of a greater overall image, or the entire point of the image is to showcase that clothing.

A few things as a model you need to think about when shooting with clothing:

• Add to your model bag essentials such as 3 thongs (nude, white, black), jeans, black heels, tank top, a dress, clear nail polish, small clamps, lint brush, empty bottles, safety pins, small sewing kit, push up and strapless bras, bikini and two types of nylons (nude and black).
• Ensure that if you are doing your own makeup, you choose colours that compliment, not match, the outfit that you are wearing.
• Don't decide how to do your hair until you know what you are wearing, certain looks are greatly accentuated by different looks such as hair being up swept or out long.  If you are doing your own hair, discuss it with the photographer/stylist ahead of time, it's always better to have the team's input!
• If you need to give your cleavage a boost, you can do so by stuffing your bra with socks or paper towel.  If you are wearing a bra-less outfit, tape some duck tape (we like duct tape because it doesn't come off when you sweat under the hot lights) to one side of your breast, pull it underneath your breasts and pull the second breast in, placing the tape on the side. Instant cleavage! 
• Clothing is not always going to fit. But you can make it fit for a shoot!!  
• Shirt/Dress/Skirt too tight? Don't zip it up all the way and shoot from the front only!
• Shirt/Dress too baggy? Roll up your shirt in the back and clamp it with clothes pins/small clamps.
• Pants/Skirt too baggy? Take a pop bottle and slip it in between your back and the waist line on the garment - it will pull it tight and make it appear to fit!
• Shoes too big? Ball up some tissue and put it in the front of the shoe!
• If your nylons run, just take some clear nail polish and apply it to the run on your leg.  It will stop the run so you can continue!
• Make sure that when you are posing you are thinking about how each move is affecting the garment.  Before you leave your changing room, trying raising your arms and legs in the mirror, see how it makes the garment look.  Try placing your hands on your hips - does it make the garment look good, or make it bunch up?  Be aware of all of these things and take them into consideration when you are posing.

A few things as a photographer you need to think about when shooting clothing:

• Discuss in advance with the team what the concept is.  Ensure that everyone knows what they are responsible for and maintain control of the concept if it is your own.
• If you are shooting using the model's wardrobe, always ask them to bring accessories and more clothing then they intend to shoot in. It's usually better to have too many choices then not enough! 
  
• We recommend having an assistant on hand, especially when working with material or long dresses, to drop fabric from above off camera, creating the look of the material flowing from behind the model.
• Do an inspection of the garment if there is no stylist present.  If you notice a thread, tag or something else out of place, ask the model to adjust. 
• If the clothing is the focus of the shoot, ensure that is the case.  Don't get caught up in props and accessories that overshadow the garment.
• If you are shooting in a studio, it is a great idea to utilize a fan to make the material/hair flow.
• When shooting different body types, ensure you are adjusting your angle.  An example would be when shooting a plus size model you would never shoot from a low angle, as this widens the subject.

Model: Andree de Villers. Photographer: Sarah DeVenne. Circa: 2010.

We will definitely go into further details on specific techniques for each style of photography in future blogs!!!  We hope that this information is helpful and as always, we welcome your questions, comments and suggestions!

xoxo

Andree & Sarah

The countdown to your first shoot!!!

 Model: Jarrah. Photographer: Sarah DeVenne. Circa: 2007.

Sarah's first nude photo shoot!

So you have your first shoot - yay!!!  Now what?  You don't want to walk in unprepared, you want to take advantage of this opportunity and get the most out of it!  To be prepared, you need to think about the following things:

1. Wardrobe, Hair, Makeup
2. General Appearance
3. Basic Knowledge of Angles, Lighting and Posing
4. Things to Remember the Day of the Shoot

Wardrobe, Hair, Makeup - If you are not sure, you need to find out exactly what you are responsible for in the shoot.  You need to know if you are expected to provide the wardrobe and do your own makeup and hair.  If so, you need to discuss the concept in detail with the photographer.  Find out the general theme of the shoot, if it will be in studio or on location, what colors will be in the background/should you be wearing, etc.  Without a clear understanding of the photographer's vision, you will either bring far more then you need or not the right items.  Side note: You can never bring more then you need :)

General Appearance - In order to walk into a photo shoot completely prepared and ready to make a great first impression, you need to be polished.  The best advice that we can give is the following:

• Get into a healthy skin care routine and follow it. If you are broke, use lemon juice, sugar and a soft toothbrush!!
• Use lotion, it keeps your skin from going dry and ashy and helps it's evenness and glow!
• Drink at least 8 glasses of water everyday. Just do it. It will make everything better!
• Ensure your hair removal/trimming is complete. Think about everything and ensure that you're eyebrows, upper lip hair, bikini line, legs - everything is in order before your shoot
• Avoid tan lines. If you are going to be tan, be evenly tanned.
• Whiten your teeth.

Basic Knowledge of Angles, Lighting and Posing - Now into the fun stuff!! You don't want to walk out of your shoot with bad photos, so you want to be able to contribute to as much of the positive end result as you can!  In order to do so, you need to research, research, research and practice, practice, practice!!!  Our suggestions to get yourself prepped and ready for a shoot are as follows:

• Stretch.  Every single day. You need to become flexible to make it in nude modeling!
• Start constantly staring at yourself in the mirror.  Tilt your head one way, then the other - which looks better?  Bring your chin into your neck a little bit, then raise it - which looks better? That is how you find your best angle.  Look through old pictures if you want confirmation - we bet you with every one of your favorites, the photo has captured you at your best angle!
• Once you have your best angle figured out, work out how to capture your best angle using different lighting.  Grab a lamp, take the lampshade off, and move it around your face while looking in the mirror. Move it from side to side, above and below your face.  See how the shadows look depending on the light change and try to figure out how your face looks best with each lighting set up.
• It's very important to do the same test with your body.  Looking in a mirror, move your body into different positions, flexing, relaxing, twisting, stretching, etc and see how your body reacts.  Look at your body from every angle and get comfortable with the reactions your body has to the different movements you make. If you can, do the same with a lamp held at different angles, see in what positions, with what lighting - you can make your body look the most toned.
• Practice pointing your toes for long periods of time and overcoming toe cramps without moving at all.  It will come in handy if you do :D
• Research online the type of shoot that you are doing and look for examples of poses or outfits that you really like! Try them out in the mirror, see if you can perfect them!  If you need suggestions, you can always comment and we will help you out!!!

Things to Remember the Day of the Shoot - It's shoot day!!! Yay!!! Here's a couple things to remember:

• If you are shooting nude ensure that you wear loose fitting clothing with no bra and underwear to your shoot.  Otherwise you will be covered in lines that take forever to go away and are a real pain to Photoshop.
• Bring a few things with you to the shoot no matter what, some snacks that are easy to eat, water, a straw, makeup, hair product, lint roller, tape, safety pins, bobby pins, gloss, powder, blotter sheets, hair spray, tylenol, maps, small mirror, razor, deodorant, books/magazines for downtime, tooth brush/paste, lotion, robe, etc.
• STRETCH. Stretch when you wake up, stretch again before you leave, do a quick stretch when you get there and stretch, stretch, stretch after the shoot!  
• Drink a ton of water, make sure you have gotten a lot of rest the night before.
• Arrive with a completely clean face with no product in your hair, unless you are told to arrive camera ready.
• Never add to or change a makeup artist or hairstylist's work.
• When you are posing - always ensure you have your body going in at least 3 directions.  Example: Stand face on to the camera with your feet shoulder width apart. Stick your hips out sharply to one direction, and raise one shoulder in the opposition direction.  This will give your body interesting lines and create amazing shapes for the photographer to work with.
• Remember your best angles and apply the learnings from your practice with the lighting the photographer is using.  If you cannot tell which direction the light is hitting you, ask the photographer to tell you.  This is information they will be happy to provide.
• Get your body into a good position that you are happy with and work within that pose a little bit.  Tilt your face into a position and try to give three different facial expressions.  Example, serious, big smile, half smile - then tilt your head in a different position and repeat.  This gives you much larger chance of getting a great image from more of your poses.
• Make sure you are also shifting around your eye line.  Look into the camera, into the light, above the camera/light, off to the distance, down to the ground, close your eyes, look up into the camera while facing down, etc.  Make sure that you constantly switch it up!
• Arms can be the worst things ever when you are first getting into modeling.  You don't know what to do with them, you can only really think of one thing and they are constantly in the way!  Know this is going to happen to you ahead of time, and think of as many positions as possible.  If you are going to do hands on the hips, make sure that your hands are staggered (ie. one hand higher then the other).  The reason is that this creates sharper lines on your body.  Try using your hands all around your face, don't just place your hand on your arm, run it down your arm for a second then freeze - this will be a more natural placement.
• Never have both feet flat on the floor in a shot. It is unflattering to your body!  Point your toes always!!!
• Make sure that people know exactly where you are going, exactly how long you should be there, who you are shooting with, a number to reach you at and a check in call set for a certain time.  
• If you wish, you are able to bring an escort with you as well.  Ensure it is someone that has brought reading material and will sit quietly out of the way.  Do not expect that the escort can be in the room during the shoot.
• Relax, breathe deep, calm down.  Don't let your nerves get the best of you.  Confidence is everything. Find yourself some positive affirmations and say them daily to boost yourself up! You are hot stuff!!!  Believe it!

Model: Andree de Villers. Photographer: WForrest Photography. Circa: 2007.

Andree's first nude photo shoot!

Types of Photoshoots

  Model: Andree de Villers. Photographer: Doug Winsor. Circa: 2007.

Once you have decided what type of modeling you want to do, you need to know what the different types of shoots mean.  When you are just getting started and looking to build your portfolio, typically you will pay for shoots, then you start doing some trade for shoots, then you build yourself up to the point where you start charging for shoots.  The exception to this general rule is working with a GWC!!

Model Pays for Shoot - There are several things to consider when you are looking to purchase photos to begin your portfolio.  Ensure that you do your research, make sure that you are looking at the photographer's work and choosing someone whose work really inspires you.  We would definitely recommend getting full make up and hair on your first shoot as well.  If you can swing it, get a model coach there too!  If you are going to pay to have photos done, you want to make sure you are getting the most bang for your buck, and that this one set will get your phone ringing with TF bookings!!

Trade For (TF/TFP/TFCD) - This is something that you will start doing early in your career and keep it going likely for the rest of your career!  Anytime that you can get an opportunity to work with an incredible photographer that will absolutely add to your portfolio, you definitely want to try to get a TF deal on the go!! There are two main types of agreements, Trade for Prints (TFP) and Trade for CD (TFCD). TFP is when there is no cash exchanged for the shoot between the model and photographer, but the photographer provides the model with a set number of prints in exchange for their work.  TFCD, the most common nowadays, is when there is no cash exchanged for the shoot between the model and photographer, but the photographer provides the model with a CD, usually with a set number of edited images, in exchange for their work. Remember it is up to the photographer's discretion whether or not they wish to include high resolution photos, so make sure you ask those questions ahead of time.

GWC (Guy With Camera) - If you look a a photographer's portfolio of work and it is not excellent and the photographer is offering you money although you aren't experienced, you've probably run into a GWC. Two things to note with GWC's, they can often be unprofessional so be careful and get references.  If you are not able to bring an escort with you, then ensure that people know where you are and set a time to call and check in.  The second thing is to see it for what it is, yes you will get paid and probably well, but you are going to have terrible images of yourself out there, so read the model release carefully. Ultimately remember, if it is not going to help your portfolio then ensure you are getting paid.

Nude/Implied/Fashion Hourly Rates - It is tough to say what your rate should be, as it all depends on your experience, skill and what local competition is charging.  Generally speaking however, $8-25 an hour for art figure modeling, $25-50 an hour for a clothed shoot and $50-100 an hour for a nude shoot.  Please keep in mind this is once you have a portfolio under your belt.  In the same way that you would never pay a photographer to shoot without seeing inspiring work from them, you should not be expected to get paid just because you are taking your clothes off.

Commission on Revenue - This will be worked out on on a case by case basis between the photographer and the model. Ensure that you are protected in the contract and remember that you may end up doing this project for free if it does not generate any revenue!

Ultimately, the best thing to do when deciding what rates you are going to charge is look up what the competition is charging.  Ensure you are being realistic, nude modeling is not just about standing naked in front of a camera, it takes skill and experience.  If you are not yet experienced, understand that you need to gain those skills before expecting a pay cheque.

Please keep in mind that it is a new world out there with internet modeling.  It's important as a model to be able to spot the 'BS' right away.  There are many photographers that will agree to a TF agreement and never deliver on photos, there are photographers that will sell your image without your permission and there are photographers who turn out to not be photographers at all.  You have a gut feeling for a reason.  In this business, you need to learn to follow it.

xoxo

Andree & Sarah

Anfangende Aktmodelle

Wir freuen uns sehr, unser Blog angefangen zu haben! Wenn ihr Vorschlagswesen, Fragen oder Meinung habt, werden wir sie gern lesen. Wir danken euch, uns unterstützt zu haben, und freuen uns sehr, dieses Blog fürderhin aufzubessern!

Wir möchten uns bei unseren deutschen Fans für eure Unterstützung besonders bedanken! Es scheint als ob es viele von euch gibt, und wir sind dankbar für ihr alle. Vielen dank, und bitte kommt ihr alle bald zurück! :)

(Für Fehler ist unser Übersetzer verantwortlich. :P)


xoxo
Andree & Sarah
 

Model: Andree de Villers. Photographer: Fat Cat Photography. Circa: 2011.

Finding your Nude Niche

With so many different types of nude modeling out there, we thought we would break down the basic types!! What you choose will be based on what you're looking for - money, artistic expression, fashion, etc!  If you have any questions, comments or would like to hear about a different type of nude modeling - just comment and let us know!!

xoxo

Andree & Sarah

Implied Nude Modeling

Typically you are not going to be able to make a career out of being an 'Implied Nude Model', however it is something that is seen constantly from high fashion to artistic nude photography.  Normally during an implied shot you are nude and simply covering yourself.  Depending on the circumstances however, you may only be partially nude, as an example, topless. 

 Model: Andree de Villers. Photographer: Steve Richard. Circa: 2007.

Artistic Nude Modeling

Think about what you'd expect to see featured in a gallery or in a coffee table book and you have Artistic Nude photography.  These are particularly strenuous shoots as you are often asked to twist and stretch your body into awkward positions and hold them for a long time, in order to achieve a certain shadow or muscle ripple.  In addition to the above, Artistic Nude shoots are often done on location, sometimes in the beauty of nature and sometimes in rundown abandoned factories in order to achieve a stark contrast. Therefore you may end up naked on a rusted out wheel with spiders crawling all over you.  Also, do not expect to make any money shooting Artistic Nude shoots. It's all for the love of art!

Model: Andree de Villers. Photographer: Eric Boutilier-Brown. Circa: 2008.

Nude Glamour Modeling

Glamour Modeling is all about the model and how incredibly beautiful or sexy they are.  Nude Glamour Modeling is just the same.  You are often going to see a lot of airbrushing in play for these types of shots.  Nude Glamour Modeling is more of your Maxim online girls then Playboy as an example.  There's a fine line between Nude Glamour Modeling and Soft Core Adult work and honestly everyone's line is different.  The key thing to remember is that the point of a Nude Glamour shoot is to make the viewer want the model!! So work it girlfriend ;)

Model: Andree de Villers. Photographer:WForrest Photography . Circa: 2007.

Fetish Modeling

Fetish Modeling covers such a massive variety of scenarios it's hard for us to try to sum it up in a paragraph.  There are two key differences you need to know. Fetish Fashion shoots are when you are in Fetish gear aka, Corsets, Latex, PVC, Light Bondage, Straight Jackets, Medical, etc.  Fetish shoots could mean a much wider variety of things.  It could be Rope Suspension, Heavy Bondage, Ball Gags, Nipple Clamps, etc.  If you are into Fetish and want to explore that world we can definitely go into more detail on a further post - just leave a comment and let us know!!

Model: Andree de Villers. Photographer: Sarah DeVenne. Circa: 2008.

Adult Modeling

Again, what is soft core and what is hardcore is completely subject to personal opinions.  Generally speaking, magazines such as Playboy would be considered to be 'Soft Core' and magazines such as 'Hustler' would more considered more 'Hard Core'.  There are many photographers out there who 'claim' they can get you into magazines such as the ones we listed above, however this is not always the case. Some of our closest friends have been extremely successful in the adult industry - both in film and photography, so we will be happy to have them post if there is interest!!

 Model: Andree de Villers. Photographer: WForrest Photography. Circa: 2007.

Share the Love :)

 Model: Andree de Villers. Photographer: Rob Fournier. Circa: 2010.

We are really excited to have the blog off to a running start so we are ready to share the love!!  We would love to hear your feedback and suggestions of topics we should post about!  We want to be continuously updating our glossary so if you have suggestions for that as well - let us know!!

We have so many friends in the industry so we will be bringing in plenty of guest bloggers to share their knowledge and experiences with you! We're so excited for the potential this blog has!!

We know that we have just gotten started, but if you love what you see so far, share the love!!!  Tell your friends and share this site with anyone that you think it would help!!!  We want to make this site as beneficial as it can possibly be!!

xoxo

Andree & Sarah

Glossary of Modeling Terms

Models: Karen Murdock and Andree de Villers. Photographer: Steve Richard. Circa: 2009.

A#

ACCESSORY - A decoration, piece of jewelry or clothing that adds emphasis to an outfit.

ACTOR - Performers that appear in television, films and/or on stage.

ACTRA - See: THE ALLIANCE OF CANADIAN CINEMA, TELEVISION AND RADIO ARTISTS. 

ADVANCE - Money that is paid out before the modeling job is completed. This is deducted at a later time from the model's pay. Advances can be given to cover modeling supplies such as portfolios, clothing, travel expenses, etc.


ADVERTISING AGENCY (AGENCY, AD AGENCY) - Is responsible for creating advertising campaigns for clients, selects models for campaigns. Commission is charged to both clients and models

Also See: AGENCY, MODEL AGENCY

ADVERTISING PHOTOGRAPHY – Images that are created to illustrate a service or product for the purpose of advertising.

AGENCY – A company having a franchise to represent another.

Also See: ADVERTISING AGENCY, MODEL AGENCY

AGENCY BOOK - See: PORTFOLIO.

AGENCY CARD - A business card containing contact information for the model's agency such as phone number and location.

AGENCY CONTRACT - A written agreement that explains the obligations between an agency and a model, this usually comes from the agency.

AGENCY DIRECTOR - A person that has a management position inside an agency.

AGENCY PARTY - A social gathering, party, gala or celebration that is sponsored by a model's agency. These can include, but are not limited to birthday parties and holiday parties.

AGENT - A person authorized to act on a model’s behalf. Agents are also responsible for arranging jobs for the model that they are representing.

THE ALLIANCE OF CANADIAN CINEMA, TELEVISION AND RADIO ARTISTS (ACTRA) - The Canadian labour union representing performers in English-language media.

AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS (AFTRA) - The United States performers' union.

ART DIRECTOR –
The artist responsible for the overall art/design of a project including creating the layout for ads and illustrating model's poses.

ARTISTIC NUDE – Typically this art can be found in galleries, coffee table books and fine art magazines.  The nature of the posing is tasteful though revealing.  Often artistic nude work is in black and cleat or with unique lighting scenarios.

AUDITION - An interview with a photographer, art director, casting director, agent or client where they evaluate you for a particular opportunity. Where specific talents are required, it is not unusual for you to be asked to perform.

Also See: BIKINI AUDITION, BODY CHECK.

B#

BACKDROP (BACKGROUND) - The background used in a photographer's studio.

BEAUTY SHOT - A headshot from the shoulders up, where the main focus is on the model's face, including make up, hair, and accessories.

BIKINI AUDITION - The same as a regular audition, except that one will be asked to appear in a bikini so that the client may evaluate your figure.

BIOGRAPHY (BIO) – A synopsis of a model's life. Biographies are usually a mix of the person’s personal life as well as their professional life. 

BIT - A featured extra role.

BLACK AND CLEAT PHOTOGRAPHY – The creation of monochrome images using photographic techniques. Through the use of either a traditional film camera or digital camera, the artist exposes an image media, such as film or a digital image sensor, to light. The light then affects the image media in such a way as to leave a permanent imprint of the scene on that media. This media is then processed to create a final image or photograph. 

BLOCKING
- The physical movements by actors in any scene.

BODY CHECK - A specific type of audition where the casting director need to view a models physique. This is often modeled in either underwear, bikini, or in the nude. If the body check requires nudity, it should always be discussed and agreed upon prior to the audition.

BODY DOUBLE (STAND-IN) - A stand-in for an actor. Body doubles are used for several reasons such as nudity, stunts, physical form (ie: pregnancy), etc. Body doubles are always shown from the back or with their face hidden as they are portraying another person.

BODY MODELING – Fitness modeling centers on displaying an athletic physique. Fitness models usually have the defined muscles of bodybuilders, but with less emphasis on muscle size. Their body weight is usually similar to (or heavier than) fashion models, but they have a lower body fat percentage due to increased muscle mass and reduced fat mass.

BODY SHOT - A full-length photo of a model where the main focus is on the model's body.

BONUS - Bonuses can be given when a shoot is very long, or when a client loves the models/photographs and wants to use them more often than the original intention. If the model is represented by an agency they would receive a percent of your bonus. 

BOOK - See: PORTFOLIO.

 

BOOKER - A person or individual who arranges jobs for a model that they are representing.

BOOKING AGENTS - Someone who engages a person or company for performances.

BOOKING - A scheduled and confirmed job.

BOOKING OUT - When a model indicates times that they will be unavailable for work.

BOUDOIR - A great deal of "boudoir" is now created in the photographer's studio or in luxury hotel suites, where it has become very fashionable to create a set of sensual images for women in "boudoir style". This often takes the shape of partly clothed images or images in lingerie, and has become more than just a passing fad for brides to surprise their future husbands. 

BREAKDOWN SERVICE - A professional listing that lists movies, film, TV, and stage projects with what types of actors are being cast. Available only to agencies.

BUYER – An individual who selects what items will be stocked in a store, based on his or her predictions about what will be popular with shoppers. Retail buyers usually work closely with designers and attend trade fairs and fashion shows to observe trends.

BUYOUT - Advance payment for future use of a print ad or a commercial for a specific period of time.

C#

CALL - See: BOOKING.

CALL BACK – After the candidates have been narrowed down for a particular assignment, you are called back for further consideration. A call back will often entail a more specific process such as a body check, screen test or wardrobe check.

CALL SHEET - A printed list of the day's filming/photography schedule along with the cast, crew, and props needed.

CALL TIME - The time you are to report to the set or location for work.

CAMERA READY - Anyone who is ready to appear in front of the camera. If you are asked to arrive to a set camera ready you should arrive completely dressed, with your hair and makeup done, and ready to begin for the day.

CANCELLATION - Notice of a cancelation before booking is determined by the situation and written into the contract.

CASTING - When a business chooses the model for a project.

CASTING CALL – A posting by a producer, art director or casting director of an opportunity in a film, video, commercial or print project.

CASTING COUCH - A term from the early days of the entertainment industry. It implies a producer is soliciting sexual favors in return for a part in a film or a print project

CASTING DIRECTOR - The person in charge of, or responsible for casting a film video or print project.

CATALOG/PRINT MODEL - A model who is photographed regularly for catalogues, newspapers, magazines, billboards and other advertising announcement forms

CATTLE CALL - See: OPEN CALL

 

CATWALK - A slang term for a runway.

CHARACTER MODEL - Hired to represent a character for a product or service.  There are no set physical requirements; they change on a case-by-case basis.

CLIENT - The person/business that is hiring the model for a specific job.

CLOSED SET - A set that has been closed to public access.

COLD READING - When actors are requested to spontaneously read and/or perform part of a script for a casting director.

COLLECTION - A collection or line in the fashion industry constitutes a group of clothing designs put together to tell a story of the designer's inspiration and new trends for the fashion brand during a particular season.

COMMENTARY - A script that is used to describe clothes for a fashion show.

COMMENTATOR - The emcee at a runway show.

COMMERCIAL -
A promotional advertisement on television, radio and other media forms.

COMMERCIAL LOOK - An appearance that appeals to a wide variety of people and consumers.

COMMERCIAL MODELING – In commercial work the product is the central focus of the photo or video.  This includes advertising and editorial work.

COMMERCIAL PHOTOGRAPHY - Commercial photography predominantly sells a product. It includes advertising, editorial, photojournalism, portrait, fine art and wedding photography

COMMISSION - The percentage of money paid to managers, casting agencies or agents for booking or arranging your services. Typically commissions are 15 to 20 percent of total payment.

COMPOSITE (COMP CARD) - Also referred to as a zed card or model business card. A comp card is a printed card with at least two photos of you in various poses, settings, outfits and looks (the widest variety possible). It includes your name, your/your agency’s contact information and your stats. Comp cards come in lots of different formats depending on the city, agency and the type of model or actor you are. Agencies will usually issue comp cards for you once you’ve been signed.

 

CONFIGURATIONS - The number of models posed in a photograph (ie: singles, doubles, triples, groups).

CONTACT SHEET (PROOFS) 
- A test sheet of film used to determine best shots. From the contact sheet the photographer and the client will choose which shots they want to print and enlarge.

CONTRACT - Model Contract is an agreement whereby a, model agrees to provide services for a business or agency.

COPY - Written words in a script to be spoken in a commercial.

COVE STUDIO - A photography studio that has no corners. Also called Cyc Studios.

COVER GIRL – A female model that appears on the front cover of a magazine.

CREATIVE DIRECTOR  - The responsibilities of a creative director include leading the communication design, interactive design, and concept forward in any work assigned. The creative director is known to guide a team of employees with skills and experience related to graphic design, fine arts, motion graphics, and other creative industry fields.

CYC STUDIO - See: COVE STUDIO

D#

DAYLIGHT STUDIO - A photographic studio that is lit with natural light, usually by way of windows and skylights.

DAY RATE - A model that works at a certain specified daily rate no matter how many hours the model actually works.

DEMONSTRATOR - Someone who demonstrates an article to a prospective buyer.

DEFERRAL - Also known as Deferred Compensation. This is when all or part of the monies due to a model or actor are deferred until a certain event takes place. Talent is often paid a percentage of future earnings.

DESIGNER -
The person who creates the idea and design of a garment.

DIALOGUE - Spoken words by principal actors.

DIGITAL PHOTOGRAPHY – A photographic method that stores the image digitally for later reproduction.

DOCUMENTARY PHOTOGRAPHY  - A popular form of photography used to chronicle significant and historical events. The photographer attempts to produce truthful, objective, and usually candid photography of a particular subject, most often pictures of people.

DRESSER - A person who assists and fits the model into the wardrobe.

DRESSING (SET DRESSING) - Items positioned in front of the camera or on the set to make the scene look more realistic.

E#

EDITORIAL - A section of a magazine depicting fashion though is not directly advertising.

EDITORIAL PHOTOGRAPHY - Illustrates a story or idea within the context of a magazine. The magazine usually assigns these projects.

EMCEE - A person who acts as host at formal occasions.

Also See: COMMENTATOR

EXCLUSIVITY CLAUSE - A legal document that allows the model to work for only one agency or client.

EXTRA  - A non-speaking part in a film or commercial. They may be part of a crowd or non-descript in the distance. If they are alone on camera performing a specific function, they are considered a "featured extra."

F#

FAD LOOK – A certain style that many people are wearing that is "in style." Often overdone, usually a passing craze.

FASHION COORDINATOR -
A person who puts outfits from fashion shows together in retail stores.

FASHION TRENDS -
Gradual changes in fashion styles, often set by trendsetters that are collectively followed with enthusiasm for some period.

FASHION PHOTOGRAPHY - Fashion photography is a genre of photography devoted to displaying clothing and other fashion items. Fashion photography is most often conducted for advertisements or fashion magazines such as Vogue, Vanity Fair, or Elle. Over time, fashion photography has developed its own aesthetic in which the clothes and fashions are enhanced by the presence of exotic locations or accessories.

FASHION MODELING – In this genre of modeling the clothing is the central focus of the photos.

FIGURE MODELING - This is a form of nude modeling normally used for art rather than glamour. In figure modeling, the body is the central focus, such as artistic nude modeling.

FEES -
The amount of money a model makes per hour.

FEATURED EXTRA - When an extra is clearly visible on camera and not just a blur in the background.

FIT (FITTING) MODELING- A fitting model is a person who is used by a fashion designer or clothing manufacturer to check the fit, drape and visual appearance of a design on a 'real' human being, effectively acting as a live mannequin. A person is selected to work as a fitting model primarily on specifications that generally consist of height, bust-waist-hip circumference, arm and leg length, shoulder width, and a myriad of other measurements as indicated by the garment type.

FITTING – A session that takes place before the shoot or show to determine the clothes to be modeled based on fit.

FINE ART PHOTOGRAPHY - Photographs that are created in accordance with the creative vision of the photographer as artist. Fine art photography stands in contrast to photojournalism, which provides a visual account for news events, and commercial photography, the primary focus of which is to advertise products or services.

FINE ART NUDE PHOTOGRAPHY - Is a style of art photography which depicts the nude human body as a study. Nude photography should be distinguished from glamour photography, which places more emphasis on the model and her/his sexuality, and treats the model as the primary subject. Nude photography should also be distinguished from erotic photography, which has a sexually suggestive component. Nude photography is also distinguished from pornographic photography, which is of a sexually explicit nature.

FREELANCE MODEL - A model listed with multiple agencies (as opposed to one particular agency) or a self-promoting model that works without an agent. Most commercial print models are freelance and work as independent contractors.

FULL FIGURE (PLUS SIZE) MODEL - Plus-size model is a term applied to a person who is engaged primarily in modeling plus-size clothing. Plus-size models also engaged in work that is not strictly related to selling large-sized clothing, e.g., stock photography and advertising photography for cosmetics, household and pharmaceutical products and sunglasses, footwear and watches. Therefore plus-size models do not exclusively wear garments marketed as plus-size clothing. This is especially true when participating in fashion editorials for mainstream fashion magazines.

FULL LENGTH SHOT – See: BODY SHOT

FULL NUDITY - Full nudity refers to complete nudity, while partial nudity refers to less than full nudity, with parts of the body covered in some manner.

G#

GIG - A slang term for a booking.

GLAMOUR MODELING- Glamour photography is a genre of photography whereby the subjects, usually female, are portrayed in a romantic or sexually alluring way. The subjects may be fully clothed or seminude, but glamour photography stops short of deliberately arousing the viewer and being hardcore pornography.

GOLDEN LIGHT (GOLDEN HOUR) - The period at dawn or dusk when the outdoor light takes on a golden hue, this is an ideal time for taking pictures.

GO-SEE – A meeting with a prospective client. A portfolio must be brought to a go-see.

H#

HALFTIME – See: PER DEIM.

HEAD SHEET - A poster displaying headshots and information about a selection of models represented by a modeling agency. Models often have to pay to appear on an agency's head sheet.

HAIR MODEL - A model that specializes on demonstrating the use of his/her hair in print or competition, often for salons or stylists directly.

HAIR STYLIST - Someone who cuts and styles hair. He or she often offers other services such as coloring and hair extensions. He or she cares for the perfect hairstyle of the model at a shoot, runway show or event.

HAND MODEL – A person who models (poses or displays) their hand or hands for the purposes of art, fashion or other products or advertising. Hand models are used in advertising where advertisers want close ups of the product being handled. Most peoples' hands have blemishes such as scrapes, scars, spots, or discolorations, which would stand out in a close up and distract from the product. Hand models tend to have flawless skin and hands, with what are considered ideal physical traits. In female hand models agents often seek long, slender hands and fingers and long nail beds. They also value smooth, hairless, unblemished skin with minimal wrinkles and visible pores.

HEAD SHOT – An 8X10 photo of a person’s face that is submitted to agents, casting directors and directors to try and obtain acting and modeling jobs.

HIGH FASHION MODELING – Models are generally 5 ft 9 in to 6 ft tall and size 0–4 (105–107 lbs for a 5 ft 9 in model). They generally have 32–35" busts, 22–25" waists and 33–36" hips. High fashion models have strong, unique and distinctive features.

HONEY WAGON – Portable restrooms brought to locations by film companies to provide for the comfort of the cast and crew.

HOT SET - Any set or location that is being used for filming, photo shoot or taping. Even if the cameras are not rolling, a location can be considered "Hot" if any of the props, lights, or camera arrangements are set up and ready. It is important to not disturb anything on a Hot Set as to maintain continuity.

I#

IMPLIED NUDITY - Model is typical nude or semi nude during shoot, however nothing is show in the photo or video. In some cases, buttocks will be shown. The essence of implied nudity is that the photograph is suggestive but not revealing.

IMPRESSION - That is the term that reflects one viewing of a print advertisement by an individual. Thus if four people see an ad, that would be four impressions. The number of impressions may not necessarily equal the number of copies printed.

INDUSTRIAL -
Non broadcast productions. These are often educational or sales films tapes.

INFRARED PHOTOGRAPHY - Photography in which an infrared optical system projects an image directly on infrared film, to provide a record of point-to-point variations in temperature of a scene.

INFORMAL FASHION SHOW - Fashion shows that take place
in stores or restaurants. Models often walk around amongst the public with no runway.

J#

JUNIOR MODEL - A model that looks young and can model junior-sized clothing. Youthful type, animated.

K#

KEY LIGHT - Also called "main light." The principal source of light on a subject or a scene, usually in reference to a studio light. The key light is generally the brightest light on the subject, or the one that will have the greatest overall effect on the image.

L#

LICENSE - A special permission to do something on, or with, somebody else's property which, were it not for the license, could be legally prevented or give rise to legal action in tort or trespass.

LINES - Words written in a script.

LINE UP -
The sequence of models and garments in a fashion show.

LINGERIE MODELING - Lingerie signifies modeling in undergarments or sensual sleepwear.

LOCATION - Any shoot or video shoot that takes place outside the studio aka On Location.

LISTING AGREEMENT – A legal agreement between a model and an agency that gives the agency permission to market the model to prospective clients.

LOOK - The unique appearance of the model.

LOUPE - A small hand-held magnifying glass that is used to view slides or contact sheets.

M#

MACRO PHOTOGRAPHY - Type of photography employing use of special lenses or attachments allowing close-range photos of a given subject.

MAKE UP ARTIST - A makeup artist is an artist whose medium is the human body, applying makeup and prosthetics for theatrical, television, film, fashion, magazines and other similar productions including all aspects of the modeling industry.

MANNEQUIN MODELING - The process where a live model hold frozen in mannequin-like positions.

MARKET (JOB MARKET) - Any location where there is a lot of work.

MARKET WEEK -
4-6 times per year when seasonal clothing lines are shown to buyers.

MEET AND GREET - A networking event to establish a first meeting with a client.

MODEL BAG -
A large bag that models carry all their makeup and working essentials in.

MODEL RELEASE - A model release, known in similar contexts as a liability waiver, is a legal release typically signed by the subject of a photograph granting permission to publish the photograph in one form or another. The legal rights of the signatories in reference to the material is thereafter subject to the allowances and restrictions stated in the release, and also possibly in exchange for compensation paid to the photographed.

MODEL AGENCY – An employment agency that helps promote models, schedule casting calls and handles client relations and payment. Agencies usually charge a commission of 15-20% of the total payment for a job.

Also See: ADVERTISING AGENCY, AGENCY.

MONOLOGUE -
A scene performed by an actor for a client that reflects a particular mood and demonstrates your acting talent.

MOOD -
The feeling a model projects to suit the specific project.

N#

NUDE ART MODELING  - Art models are models who pose for photographers, painters, sculptors, and other artists as part of their work of art. Art models are often paid, sometimes even professional, human subjects, who aid in creating a portrait or other work of art including such figure wholly or partially.

NUDE DOUBLE - See: BODY DOUBLE.

O#

OFF-THE-RACK - (especially of clothing) made in standard sizes and available from merchandise in stock; "a ready-made jacket"; "ready-to-wear clothes".

ON HOLD -
When a client is seriously considering you for a project and they want you to keep the time available for them first.

OPEN CALL - When modeling agencies will see prospective models without previously scheduled appointments.

OPEN SET - A set that is open for anybody who has access to enter. Sometimes an open set is open to the general public, but it is usually just open to people who happen to be in the studio, on location or on a studio lot.

P#

PANTOMIME - The term for pretending to speak in conversation when in fact you are only mouthing the word. Most Extras will be asked to act as though they are speaking but they really are not. This is so the audio recording can pick up the principal talent without all the background noise. The sound editors will then add the background noise in post-production.

PARTS MODEL - Also known as specialized modeling. Models feature specific body parts. – ie. hands, feet, legs, etc.

PER DEIM - Per diem is Latin for "per day" or "for each day". It usually refers to the daily rate of any kind of payment. It may also refer to a specific amount of money that an organization allows an individual to spend per day, to cover living and traveling expenses in connection with work.

PETITE - A petite model is 5'6" to 5'8".  Most petite modeling work is in print and body work.

PHOTOGRAPHER RELEASE - A legal statement authorizing the photographer to use the photographs taken during a photo shoot.

PHOTO SHOOT (PHOTOSHOOT) – A photo session with a photographer.

PLUS-SIZE MODEL – Plus-size model is a term applied to a person who is engaged primarily in modeling plus-size clothing. Plus-size models also engaged in work that is not strictly related to selling large-sized clothing, e.g., stock photography and advertising photography for cosmetics, household and pharmaceutical products and sunglasses, footwear and watches. Therefore plus-size models do not exclusively wear garments marketed as plus-size clothing. This is especially true when participating in fashion editorials for mainstream fashion magazines.

PORTFOLIO (BOOK, AGENCY BOOK)  - A vinyl or leather book, normally 8" X 10", 9" X 12" or 11" X 14" filled with select photos which show the model at his/her photogenic best and samples of their work (tear sheets).

PORTRAIT PHOTOGRAPHY - Portrait photography or portraiture is the capture by means of photography of the likeness of a person or a small group of people (a group portrait), in which the face and expression is predominant. The objective is to display the likeness, personality, and even the mood of the subject.

PRESS RELEASE - A statement that is distributed as a publicity release to the media.

PRE-TEEN MODEL - A model that is under 13 years of age.

PRINTWORK
- Photography taken for print media such as magazines, catalog, mail order, books, brochures, ads, etc.

PRINCIPAL -
The main performer in the foreground.

PRODUCER 
- Someone who finds financing for and supervises the making and presentation of a show (play or film or program or similar work).

PRODUCTION COMPANY – A production company is a company responsible for the development and physical production of new media, performing arts, film, radio or a television program.

PROJECT – An individual or collaborative enterprise planned and designed to achieve an aim.

PROMOTION - Publicity to advance a product, service or person.

PROOFS - See: CONTACT SHEET.

PUBLIC RELATIONS -
The professional maintenance of a favorable public image by an organization or a famous person.

Q#

QUASI-FISH-EYE LENS - The Quasi-fish-eye lens produces an image on the film or image sensor that covers the entire frame, whereas a True fish-eye lens has its circular image wholly within the frame.

R#

RAMP – A place designated for runway modeling. A ramp can be slanted or a flat surface, or a stage.

RAMP MODEL - A model who specializes in demonstrating and displaying clothing and garments during fashion shows.

RATES -
fees charged by the model.

RELASED – This term is used for a model that is told that they are no longer being considered for modeling jobs.

RELEASE -
See: MODEL RELEASE.

RESIDUALS -
A royalty paid to a performer, writer, etc., for a repeat of a play, television show, etc

RESUME - A sheet listing a model's education, experience, and vital statistics. The resume is often attached to an head shot or a composite.

RUNWAY – A raised aisle extending into the audience from a stage, esp. as used for fashion shows.

RUNWAY MODEL – Runway models showcase clothes from fashion designers, fashion media, and consumers. They are also called "live models" and are self employed. Runway models work in different locations, constantly traveling between those cities where fashion is well known - London, Milan, New York City, and Paris.

S#

SAMPLE (FASHION) -
A one of a kind item from a line.

SCALE WAGE -
Minimum wage set by the unions.

SCOUT – One who is employed to discover and recruit talented persons, especially in the fields of fashion and entertainment.

SCREEN ACTORS GUILD (SAG) – is an American labor union representing over 200,000 film and television principal performers and background performers worldwide.

SET -
An arrangement of props and furniture in a TV or photo studio. 

SEAMLESS BACKDROP – Backdrop used in studio photography that does not have a hard transition between the floor and the wall. Usually paper.

SHEER (SHEERS) - Clothing or drapes that are sheer or transparent.

SHOOT - A slang term for a photo shoot.

SIDES - A portion of a script that is given to an actor to read at an audition.

SIGN-IN SHEET -
A list of the order in which each model arrived to an audition.

SLATE - The reference information written on a clapperboard, informally the clapperboard itself

SPEC SHOT – A photograph taken in hopes that it will be sold on its own merits.

SPOKESPERSON -
A central figure in an infomercial or spot, usually a celebrity, athlete or original developer of the featured product. Spokespersons lend credibility and provide reassurance of quality by virtue of their charisma and reputation.

STAGE MOM
- A term for the mother of a child actor. The mother will often drive her child to auditions, make sure he or she is on the set on time, etc. The term sometimes has a negative connotation, suggesting that the individual is prone to obnoxiously demanding special treatment for her child, or placing inappropriate pressure on her child to succeed.

STAND-IN - See: BODY DOUBLE.

STATS
- Statistical information of a model, including measurements, size, height, etc.

STABLE The roster of models represented by an agent.

STOCK PHOTOGRAPHY - The supply of photographs licensed for specific uses. It is used to fulfill the needs of creative assignments instead of hiring a photographer. Today, stock images can be presented in searchable online databases. They can be purchased and delivered online. Often, they are produced in studios using a wide variety of models posing as professionals, stereotypes, expressing stereotypical emotions and gesticulations or involving pets.

STORYBOARD - A sequence of drawings, typically with some directions and dialogue, representing the shots planned for a movie or television production.

STROBE
(FLASH) PHOTOGRAPHY– The technique of producing pictures of both single and multiple exposure taken by flashes of light from electrical discharges.  

STYLES - Types of modeling that a person would be interested in. Examples would be fashion, glamour, parts, implied nudity, etc.

STYLIST -
A person whose job is to arrange and coordinate food, clothes, etc. in a stylish and attractive way in photographs or films

SUBMISSION - The sending of your comp card to a project for submission.

SUPERMODEL - A successful fashion model who has reached the status of a celebrity

T#

TALENT SCOUT - A person whose occupation is the search for talented artists, sportsmen, performers, etc., for engagements as professionals

TEAR (SHEET) - A page cut or torn from a periodical and used chiefly to provide evidence to an advertiser of the publication of an advertisement.

TELEPROMPTER 
TV - A television screen that displays the cue card lines in a filmed production.

TESTIMONIAL – A public tribute to someone and to their achievements.

TOPLESS – Having or leaving the breasts uncovered.

TEST SHOOT – When a model and photographer work together on a new idea or on their portfolios. No fees other than sharing film-and-developing expenses are involved. Model and Photographer Releases should be signed before the session.

TRADES, TRADE PAPERS -
Trade publications include: Variety, Backstage, NY Casting, Actor's Resource Network, Ross Reports, Drama-Logue, Billboard and Hollywood Reporter

TRADE SHOWS - An exhibition or fair at which manufacturers display their products for the benefit of visiting wholesalers and retailers.

TRANSPARENCIES
- An image, text, or positive transparent photograph printed on transparent plastic or glass, able to be viewed using a projector.

TRUNK SHOW -
A special sale in which vendors present merchandise directly to store personnel or select customers at a retail location or another unique venue. In many cases it allows store personnel to preview and/or purchase merchandise before it is made available to the public. It is particularly desirable to have the actual designer present at the event. Most small businesses do this to get more buys.

U#

UNDERWATER PHOTOGRAPHY - Is the process of taking photographs while underwater. It is usually done while scuba diving, but can be done while snorkeling or swimming.

UNION DES ARTISTES - (UDA) – UDA or Artist union is a Quebec-based labour organization representing stage, television, radio and film performers in French-language media in Canada (the English language labour organization is ACTRA).

USAGE - Models get paid for each different medium in which their photograph is used. The model receives an additional fee for each usage the client buys. The largest usage is the unlimited time usage, worldwide buyout. That means the client can plaster the photograph across every city in the world in every possible usage until the end of time.

V#

VOICEOVER - 
Background or Animated Character voices for radio or video recorded separately in a recording studio and dubbed onto visual

VOUCHER - A legal statement that usually originates from the model's agency that includes the contact information and the model's rates, this serves as a release for the model.

W#

WIDE-ANGLE LENS - A lens with an angle of view that is wider than that of a normal lens, or that of the human eye. A wide-angle lens has a focal length shorter than the focal length of a normal lens. The focal length of a wide-angle lens is less than the diagonal of the film format or the digital sensor.

X#

X (SETTING) - Electronic flash units fire virtually instantaneously and reach full brightness immediately. Therefore no time delay is required. Also refer as X sync. Real time setting that causes the flash to burst in synchronizes or instantaneously as the shuttle open up.

XOGRAPHY - Photographic process for producing three-dimensional images.

Z#

ZED CARD - A comp card (also called composite card, z card or sed card) is a marketing tool for actors and especially models. They serve as the latest and best of a model's portfolio and are used as a business card.

Model: Andree de Villers. Photographer: Eric Boutilier-Brown. Circa: 2008.